Client Preparation

A well-prepared team and setting make a significant difference to the final production. Based on our experience, we’ve developed practical guidelines to help ensure a smooth filming process—whether it involves interviews, on-screen appearances, or preparing a project for shoot day.

Preparing for an interview

The interview is a collaborative effort, and preparation plays a crucial role in ensuring a strong outcome. While responses should feel natural, taking time to consider key points in advance can make a difference.

  • Answers don’t need to be memorised, as the conversation is guided with prompts rather than scripted questions.
  • Since the interviewer’s voice is usually removed, responses should include the context of the question for clarity.
  • Depending on the established style, you may speak off-axis to an interviewer or directly into the camera.
  • Speaking slightly slower than usual improves clarity and gives flexibility in editing.
  • Taking a breath before answering, pausing when needed, and allowing room between thoughts can help with both delivery and editing.
  • Interviews are designed to feel natural, and we guide the process every step of the way.

 

Wardrobe & grooming

For those appearing in filmed sequences—whether a speaking role or simply present in a scene—wardrobe and grooming make a big impact.

  • Clothing colours should complement the overall production or project.
  • Avoid logos, screen prints, and distracting patterns, as well as black, very dark, or overly bright colours, which can dominate the scene. 
  • Solid colours and subtle patterns work best, with neutral or muted tones like beige, grey, taupe, muted blues, sage green, and earthy browns being ideal. 
  • Bringing an extra shirt or top, and layering provides flexibility. Having a few options like jackets, accessories, or alternate outfits allows the production team to make adjustments as needed. 
  • All clothing should be clean and wrinkle-free.
  • Hairstyles should be simple and neat, with minimal makeup unless a specific style is requested. 
  • Facial hair should be groomed and tidy, but avoiding a fresh shave can help prevent redness or blemishes from appearing on camera.

 

On-screen presence

Appearing on camera should feel natural and effortless, even for those without filming experience. Small adjustments in movement, posture, and engagement can make a big difference in how a scene feels.

  • Movement should be relaxed and unforced, whether walking, gesturing, or interacting within a space.
  • The same action may be filmed multiple times to capture different angles, refine pacing, or adjust for lighting and technical details.
  • Engaging naturally with the environment helps create a sense of authenticity.
  • Standing or sitting with a relaxed but confident posture helps maintain a natural presence on screen.

 

Styling a project for shoot day

A well-prepared space ensures the best possible outcome on film. Here’s a checklist to help get your project ready:

  • Remove unnecessary clutter or personal items from scenes.
  • Check that any furniture, styling elements, or decorative pieces are arranged as intended.
  • Ensure all lights are working, and replace any mismatched bulbs for a consistent look.
  • Clean glass surfaces, polished finishes, and reflective materials to minimise smudges and unwanted reflections.
  • If filming outdoors, make sure landscaping is tidy, pathways are clear, and any movable objects are positioned appropriately.
  • Mow lawns and trim gardens a few days before filming to allow clippings to settle and avoid a freshly cut look.
  • Ensure property frontages, gutters, and driveways are clear of debris and bins
  • Consider turning off loud air-conditioning units, mechanical systems, or other background noise sources that could affect audio.
  • If staff or other people will be present, ensure they’re aware of filming 
  • If branding, signage, or specific project details should be included or excluded, confirm placement in advance.
  • Where possible, have a point of contact available on the day to assist with any last-minute adjustments.
Jacqui RobertonPrincipal, Seven Mile Architects
“Ravens At Odds’ greatest strength is true creativity in capturing the emotive sense of the architecture; the sensory experience of the building and the people using the space”
Ash ParsonsBrand Coordinator, BVN Architecture
“Working with Ravens At Odds was an easy choice, because of their background in architecture and design. It simplifies how we explain things to you and how we create briefs. You just get it”
Andrew ForsythDirector, Aphora Architecture
“Prior to coming to site that day, Nikolas interviewed me on the phone, he looked at the floor plans; he understood the building. Even before I'd watched the first cut, I was confident it was going to be good. Because I knew, here’s a guy who's done his homework, he cares. I was impressed by that”
Lisa EvansNational Marketing Manager, Place Design Group
“Creativity fused with pure passion is what you get working with Ravens At Odds. Nikolas’ eye for detail and capturing things most people don’t see is impressive. Ravens At Odds’ ability to take a concept and turn it into a story has inspired us to rethink our own marketing style, all from just one video”
David GockelDirector, Gockel Architecture
“Watching a Ravens At Odds film is like experiencing a project for the first time. And in the best way without physically being there. There’s a humanistic scale and a slowness to the story. I appreciate the thought and consideration that went into it”
Ben ParkerDirector, Ben Parker Architecture
"Nikolas has a warm and engaging energy that puts everyone at ease, even when he's busy juggling the production on set. The result is a process that feels effortless, inspires confidence and is genuinely fun for everyone involved"